Fabulations of the Anthropocene in Dark Ambient Playlists on YouTube

Authors

DOI:

https://doi.org/10.17231/volesp(2025).5761

Keywords:

fabulation, dark ambient, semiotics, YouTube, anthropocene

Abstract

YouTube hosts numerous dark ambient apocalyptic playlists created by amateur musicians. These playlists often feature static images or animated GIFs depicting ruined cities, typically devoid of human presence. The accompanying soundtracks, produced using audio editing software, are characterised by low-pitched drones, minimal dynamic and melodic variation, and an absence of percussive elements. While Murray Schafer (1977/2001) highlighted the problem of noise pollution in contemporary society, we pose a different question: how do the sounds of apocalyptic dark ambient playlists imagine the future? What fabulations of the future emerge from these artistic expressions? We argue that these works do not offer solutions to impending catastrophes; rather, they reflect the complexity of the present and our inability to confront it. We propose to examine the production of signs arising from these material relationships. Our analysis focuses on user comments on these YouTube playlists, which reveal the affective responses of listeners compelled to share their listening experiences. Some describe feelings of loneliness, melancholy, or paradoxical emotions such as simultaneous joy and sadness, while others relate the audiovisual experience to personal memories. We conceptualise the interaction between the comments, visuals, and sounds as expanded listening, that is, a communicative process that generates signs and constructs dystopias of the past, present, and future in relation to the anthropocene.

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Author Biographies

Marcelo Bergamin Conter, Departamento de Comunicação, Faculdade de Biblioteconomia e Comunicação, Universidade Federal do Rio Grande do Sul, Porto Alegre, Brazil

Marcelo Bergamin Conter is a professor of Communication Theories at the Federal University of Rio Grande do Sul. He holds a PhD in Communication from the Postgraduate Programme in Communication at the same institution.

Ana Christina Cruz Schittler, Departamento de Artes Visuais, Instituto de Artes, Universidade Federal do Rio Grande do Sul, Porto Alegre, Brazil

Ana Christina Cruz Schittler is a recipient of a scholarship from the Institutional Scholarship Programme for Scientific Initiation (National Council for Scientific and Technological Development, Federal Institute of Rio Grande do Sul Notice 12/2023). She holds a degree in Business Administration/Systems Analysis from Faculdades Rio-Grandenses. She is also a Visual Arts undergraduate student at the Federal University of Rio Grande do Sul.

Paulo Henrique Costa Albani, Instituto Federal do Rio Grande do Sul, Alvorada, Brazil

Paulo Henrique Costa Albani is a recipient of a scholarship from the Institutional Scholarship Programme for Scientific Initiation - High School (Brazilian National Council for Scientific and Technological Development, Federal Institute of Rio Grande do Sul Notice 12/2023). He is currently in his 4th year of the Audio and Video Production Technical Course at the Federal Institute of Rio Grande do Sul - Alvorada Campus.

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Published

2025-04-24

How to Cite

Conter, M. B., Schittler, A. C. C., & Albani, P. H. C. (2025). Fabulations of the Anthropocene in Dark Ambient Playlists on YouTube. Comunicação E Sociedade, 223–242. https://doi.org/10.17231/volesp(2025).5761