Violent objects: the forms of pathos in Yael Martinez, Glenna Gordon and Eugênio Grosso’s compositions

Autores

  • Eliza Bachega Casadei Escola Superior de Propaganda e Marketing
  • Mariana Duccini Escola de Comunicações e Artes da Universidade de São Paulo

DOI:

https://doi.org/10.17231/comsoc.31(2017).785

Palavras-chave:

Anachronism, arts, dialectics, pathos-forms, photography

Resumo

This article aims to investigate the photographers’ Yael Martínez, Glenna Gordon and Eugenio Grosso artistic works. Their photographs highlight the violence in representation of consumer goods which evoke the extended relations between the subjects and their personal belongings. This is a way to discuss the iconological status in such objects which are then converted in other significations patterns. The study of these artists’ composition strategies allows us to analyze the pathos-forms achieved by the anachronistic and dialectical montage which links the referential aspects and the decrease of iconological status in these images.

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Publicado

2017-06-29

Como Citar

Casadei, E. B., & Duccini, M. (2017). Violent objects: the forms of pathos in Yael Martinez, Glenna Gordon and Eugênio Grosso’s compositions. Comunicação E Sociedade, 31, 213-224. https://doi.org/10.17231/comsoc.31(2017).785

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