PASSOS, M. Y. The world in a bottle and the archeology of staging: audiovisual recording as registers of opera productions. Comunicação e Sociedade, [S. l.], v. 31, p. 39–56, 2017. DOI: 10.17231/comsoc.31(2017).2603. Disponível em: https://revistacomsoc.pt/index.php/revistacomsoc/article/view/775. Acesso em: 29 mai. 2024.